PASTORAL AND CELEBRATION - Beethoven / Gábor Takács-Nagy - E/5
Apollo and Dionysus, idyll and rampant celebration: such pairs of opposites could be used to describe Beethoven's two symphonies, the Symphony No. 6 and Symphony No. 7. The first is one of the most beautiful examples of music depicting nature, in which we hear birdsong, the murmur of a stream, a shepherd's horn. The second, which – after Richard Wagner’s often quoted remark – has been called 'the Apotheosis of the Dance itself', was a resounding success in its day in the imperial city.
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Beethoven: Symphony No. 6 in F major, Op. 68 (Pastoral Symphony) Beethoven: Symphony No. 7 in D minor, Op. 70
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Gábor Takács-Nagy
Apollo and Dionysus, idyll and rampant celebration: such pairs of opposites could be used to describe Beethoven's two symphonies, the Symphony No. 6 and Symphony No. 7. The first is one of the most beautiful examples of music depicting nature, in which we hear birdsong, the murmur of a stream, a shepherd's horn. The second, which – after Richard Wagner’s often quoted remark – has been called 'the Apotheosis of the Dance itself', was a resounding success in its day in the imperial city. It contains the popular Allegretto, which was applauded by the audience at its premiere and on occasion has been performed as a stand-alone piece. The fourth evening in Gábor Takács-Nagy's Beethoven series features works by the composer from his "Promethean" period.
The Japanese singer-songwriter Ichiko Aoba, who is also recognised as a music publisher and acclaimed film composer, creates enchanting, ambient folk-pop songs that explore the boundaries between reality and fantasy. Her latest album, Luminescent Creatures from 2025, is considered one of the year’s most celebrated releases.