MAO - Legendary Albums | Oliver Nelson: The Blues and The Abstract Truth
Featuring:
Kornél Fekete-Kovács - trumpet
János Ávéd - saxophone
Balázs Cserta - saxophone
Dávid Ülkei - saxophone
Gábor Cseke - piano
József Barcza Horváth - double bass
László Csízi - drums
Modern Art Orchestra’s Legendary Albums series presents the most important and unique albums of jazz literature, performed by MAO. By learning and playing these compositions and arrangements, the musicians are paying tribute to the jazz legends and are undergoing an intense process of musical improvement. The band absorbs the material of the original recordings, sticking to the arrangements, forms and compositional features. As improvisation is the blood of jazz, solos are invented by the players at the moment. Due to the respect shown towards the original conceptions of the legendary composers and the level of craftsmanship known from Modern Art Orchestra, the Legendary Albums series both brings you the essence of jazz tradition and guarantees a fresh musical experience.
The Blues And The Abstract Truth is a significant recording of its time. Saxophonist-band leader Oliver Nelson’s hard bop masterpiece was published in 1961 by Impulse! Records and carries one of the trademark compositions of hard bop, Stolen Moments. This is not the only reason, however, why this album became a legendary jazz record.
The Blues and tthe Abstract Truth is the first album on which Stolen Moments was published under the name of the composer, but it was recorded and put on a 1960 Eddie “Lockjaw” Davis album before. It is the Oliver Nelson album though, which contributed to Stolen Moments becoming a jazz standard.
The cast on the album are all significant personalities of jazz history. Freddie Hubbard changed trumpet playing forever and influenced the evolution of thinking about solo playing in jazz. Some of his best solos are found on this very album. Eric Dolphy had one of the most unique voices among instrumental musicians. He is often said to have played mostly free jazz, however, his musical world is rather rooted in be bop and hard bop. He contributed greatly to integrate the flute and the bass clarinet into jazz.
Bill Evans pianist, Paul Chambers contrabassist and Roy Haynes drummer form the rhythm section. By the time of the recording of The Blues and the Abstract Truth, Evans had already played the legendary Kind of Blue sessions, and Chambers and Haynes even published a record together 2 years earlier. What makes this rhythm section special is that it consists only of such musicians who personally had a significant role in the evolution of jazz music also.
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