• Program


    Messiah (Der Messias)
    3

    Messiah (Der Messias)

    Georg Friedrich Händel – Wolfgang Amadeus Mozart
    Messiah (Der Messias)
    Staged oratorio in three parts, without intermission, in Hungarian, with Hungarian and English surtitles

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    Last event date: Monday, December 20 2021 7:00PM

    Proclaiming (notably with the popular “Hallelujah” chorus) the coming and resurrection of the Saviour, Messiah remains to this day one of the most popular of Handel’s works. A little under half a century after its 1742 world premiere in Dublin, it was performed for the first time in the revised and rescored German-language version Der Messias created by Wolfgang Amadeus Mozart. The “German Messiah” thus is the fruit of an extraordinary “collaboration” between two geniuses: the scintillating brilliance of Handel as interpreted by Mozart.
    On the occasion of the Christian Season, the Opera is including the oratorio in its programme for the first time in a staged format. With Ferenc Anger directing, Mozart’s arrangement will be sung in a new Hungarian translation by Ádám Nádasdy.

    General castConductor.......Gergely Kesselyák
    Soprano..........Rita Rácz
    Alto............ .....Atala Schöck 
    Tenor...............István Horváth
    Bas..................Krisztián Cser

    Credits
    Music revised by: Wolfgang Amadeus Mozart
    Original, English-language libretto compiled from biblical passages by: Charles Jennens
    Libretto translated into German by: Christoph Daniel Ebeling / Friedrich Gottlieb Klopstock
    Hungarian text: Ádám Nádasdy
    Director: Ferenc Anger
    Set designer:Gergely Zöldy Z
    Costume designer: Mónika Szelei
    Choreographer: Marianna Venekei
    Chorus director: Gábor Csiki

    Premier: 21/12/2019

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    Kevesen remélték már, de 2024. június 1-jén sokak álma válik valóra. Egy nagykoncert erejéig összeáll egy korszak emblematikus együttese, a HUNGÁRIA.

    Haydn Mozart Rusinek Honeck

    The next instalment in Gábor Takács-Nagy’s Haydn–Mozart series is here! Fortunately for us, the symphonic oeuvre of the two great Viennese classical composers is abundant enough to keep the conductor inspired.

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