Search: Müpa

A Beautiful Confusion ZÓRA váratlan, de intenzív feltűnésének címe is lehetne akár. A kaliforniai születésű és részben ma is Amerikában élő Urbányi Zóra 2021-ben élénk visszhangot váltott ki Kollár-Klemencz László Iszom a bort című dalának feldolgozásával, ami után egymást követték saját szerzeményei.

After earning tremendous critical and popular acclaim at last year's Edinburgh Fringe Festival, IMA is returning to Müpa Budapest, again playing in a tent set up next to the building.

Balázs János zongoraestje – „Polonéz és rapszódiák”

Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.

Behind the ‘pop music in a time machine' concept are arrangements of familiar contemporary pop hits and golden-oldies that are swinged-, jazzed- and doo-wopped-up before being planted in Motown-sounding soul. This simple but wonderful idea is one that works perfectly.

Wandering Gypsies leading adventurous lives and gallant yet ridiculous nobles abusing their power are the main characters of the animated film Szaffi. This adaptation of Mór Jókai's classic novel The Gypsy Baron is by now familiar to several generations of Hungarians.

Love is all there is: The latest production by Recirquel, Hungary's leading contemporary circus company, brings forth the only primeval energy that spans space and time to connect us all.

French music - just like French cuisine - is known for its refinement, its perfect harmony of flavours and colours, and the attention to details. A true gourmet's delight.

Mendelssohn Mahler Capuçon Fischer

It is always a thrill to reflect on the fact that, even though the vast majority of Richard Wagner's oeuvre consists of his operas and music dramas, and the singers who perform in them on the world's top stages are exceptional artists, the most popular parts of these works, which can also be played independently, are the orchestral sequences.

Dávid Lamm has been on the lam. Which should come as no surprise. Who hasn't been affected by the 2020s and the dispiriting multitude of global catastrophes? A musician, at least, can find refuge in the world of sound. Lamm duly created a new project by the name of Skidaddle.

The Hungarian State Folk Ensemble's nativity programme counts down to the night of the birth of Jesus, with scenes that are sometimes comic and other times heart-warming.

Since their formation in 2016, Slow Village - who feature three MCs and two DJs and perform old-school yet never anachronistic hip-hip - have reached the point where they can perform as a headliner in any club in Hungary and also make the night-time slots at summer festivals.

Some people need to immerse themselves in the world of a true classic every evening: this family fairy tale ballet by the Szeged Contemporary Dance Company gives every member of the family the opportunity to do just that.

Dee Dee Bridgewater's career is now in its sixth decade, and while she says she's put in a lot of work to find herself, there's no doubt that the jazz world sees her as an institution.

The overture to Berlioz's late opera Béatrice et Bénédict is an exciting and dynamic piece of music. Tchaikovsky's Violin Concerto is one of the most popular works of the 19th century: virtuosic and intimate at the same time.

In this rich visual show, the young artist of the National Theatre, Péter Herczegh brings the poet's spirit to life. The poet who, in the words of Zoltán Zsuráfszky, "will always remain a comet, a genius, who shows the way with his revolutionary spirit, his soul, his poems.”

Virtuosos is a unique talent show and talent management program that has been operating with unbroken success for ten years. It is now an internationally recognized television program that discovers and supports young classical musicians. Part of this mission is to provide opportunities for young people to perform in the most important concert halls. On this occasion, mentors and jury members from the Virtuosos will be on stage together with the young musicians.

The first concert of a series showcasing the celebrated musical landscapes of Europe will take us north to present the unique world, colours and flavours of the people of Scandinavia. The musical theme of Sibelius's symphonic poem, which presents historical events, has become a national song for the Finnish people.

Concert format opera performance in three acts, with two intermissions, in Italian

MŰSOR: BEETHOVEN: D-dúr hegedűverseny op. 61 MAHLER: 5. (cisz-moll) szimfónia Augustin Hadelich hegedű Vezényel: Keller András

Mahler Richter Karg Fischer

It was in 1982 that the experimentally minded American director Godfrey Reggio created his film Koyaanisqatsi, which went on to gain cult status among audiences receptive to new concepts.

The final Met broadcast of the 2024/25 season revisits Bartlett Sher's sparklingly alive Rossini production, this time conducted by Giacomo Sagripanti, who trained in the composer's native Pesaro.

Medieval ballads often gave a voice to the position of women in society, whether they were elevated to heaven or simply reduced to dust. Female destinies will come to life during the song programme The Girl Who Was Taken to Heaven, where we will hear a bouquet of medieval Hungarian folk ballads.

The aptly named Angelica Girls' Choir, who are led by Zsuzsanna Gráf, and help nurture the legacy of Kodály and Bartók, have captivated Müpa Budapest audiences on several occasions.

The first edition of Jazz Side Story led to two consecutive sold-out shows at the Festival Theatre in 2018. Now, Nikoletta Szőke, Bálint Gájer and their musical associates are raising the stakes.

Everyone is welcome to come in colourful clothes, the programme is a mere 50 minutes in length (without an interval), and the audience sits in close proximity to the organist. Performing the May programme, the fourth instalment of the series, will be Péter Mekis, a representative of the younger generation.