• Program


    HAZÁM Kobayashi 2.
    2

    HAZÁM Kobayashi 2.

    How much do we know about Czech music? Many people would answer this question with a confident "a lot", citing Dvořák's Cello Competition and New World Symphony – along with the Vltava movement from Smetena's cycle of symphonic poems Má vlast.  more

    Nincs aktuális előadás

    Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!

    Last event date: Thursday, January 14 2021 7:30PM

    Kobayashi season ticket / 2
    Thursday, 14 January 2021, 7:30 pm

    My Homeland

    Bedřich Smetana: Má vlast (My Homeland) – excerpts
    ***
    Leoš Janáček: Glagolitic Mass for solo voices, two choirs, orchestra and organ

    Olga Tenyakova soprano
    Andrea Meláth alto
    Ludovit Ludha tenor
    Miklós Sebestyén bass
    Ágoston Tóka organ
    Hungarian National Choir (choirmaster: Csaba Somos)
    Hungarian National Philharmonic Orchestra
    Conductor: Oliver von Dohnányi

    How much do we know about Czech music? Many people would answer this question with a confident "a lot", citing Dvořák's Cello Competition and New World Symphony – along with the Vltava movement from Smetena's cycle of symphonic poems Má vlast. The fact is, however, that many pieces of Czech music are rarely or never heard in concerts in Hungary. This exciting concert offers some remedies for this situation, offering more of Smetana's cycle besides Vltava, as well as Janáček's rarely heard Glagolitic (Old Slavic) mass.
    The nationalist movements that evolved among smaller ethnic groups in Europe in the 19th century resulted in patriotic-spirited works in most of the branches of the arts, including literature, the fine arts and music. One such effort was Bedřich Smetana's cycle of symphonic poems, Má vlast. Between 1874 and 1879, the composer wrote six independent orchestral works, of which Vltava, named after the river that flows through Prague and much of the rest of the country, became the most famous. Born in Moravia, Leoš Janáček was an enthusiastic supporter of the Pan-Slavic movement, and these sympathies were in part what prompted him to write his Glagolitic Mass in Old Church Slavonic. His work's most characteristic feature is the mixture of both archaic and modern elements. With the Hungarian National Philharmonic Orchestra, Hungarian National Choir and Hungarian and Czech soloist playing the two compositions under the baton of Oliver von Dohnányi, there will be a conductor who is well versed in the Czech repertoire on the podium. Born in 1955 and currently music director of Yekaterinburg's Ural Opera and Ballet Theatre, von Dohnányi is descended from a sibling of an 18th-century ancestor of Ernst von Dohnányi. He studied under Václav Neumann at the Academy of Performing Arts in Prague and under Otmar Suitner at the University of Music and Perform Arts Vienna.

    Suggestions


    Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky THE NUTCRACKER Fairy-tale ballet in two acts

    Lucy Kirkwood 2016-os színdarabja humorral és élettel telin mesél három hatvan év körüli ember, egy házaspár és régi kolléganőjük váratlan…

    Warning! The basket time limit is about to expire!
    estimated time left:
    00:00

    item(s) in basket

    total:


    Time limit has expired. Please, put item(s) in to basket again.





    © Minden jog fenntartva - MusicalInfo.hu 2006-2016